Visualizzazione post con etichetta 19th century Art. Mostra tutti i post
Visualizzazione post con etichetta 19th century Art. Mostra tutti i post
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Theodore Earl Butler, l'impressionista americano a Parigi

Theodore Earl Butler (1861-1936) è stato un pittore impressionista Americano.
Nacque a Columbus, Ohio, e si trasferì a Parigi per studiare arte.
Conobbe Claude Monet a Giverny e ne sposò la figliastra, Suzanne Hoschedé.
Dopo la sua morte, sposò la sorella di lei, Marthe Hoschedé.
Butler fu uno dei membri fondatori della Society of Independent Artists.


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Louis Janmot | Pittore simbolista

Louis Janmot (1814-1892) è stato un pittore e poeta Francese, appartenente alla Scuola di Lione, 1830 - un movimento ispirato alle correnti mistiche ed illuministe lionesi.
Louis Janmot è stato considerato una figura di transizione tra Romanticismo e Simbolismo, anticipando la componente francese della Confraternita dei Preraffaelliti; la sua opera fu ammirata da Puvis de Chavannes, Odilon Redon e Maurice Denis.

Louis Janmot | Le Poème de l'âme. L’idéal, 1850-1854 | Lyon, Musée des Beaux-Arts

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Jules Worms | The furtive message, 1877

In the "Furtive Message" Jules Worms (French academic painter, 1832-1924) re-creates a Spanish street as it might have appeared in the time of Goya.
The background is based on a watercolor sketch the artist made during an 1877 visit to Salamanca.
The picturesque setting forms a backdrop for a farce.

Jules Worms | The furtive message, 1877 | Haggin Museum, California

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Antonio Mancini | Verist painter

Antonio Mancini (14 November 1852 - 28 December 1930) was an Italian painter.
Mancini was born in Rome and showed precocious ability as an artist.
At the age of twelve, he was admitted to the Institute of Fine Arts in Naples, where he studied under Domenico Morelli (1823-1901), a painter of historical scenes who favored dramatic chiaroscuro and vigorous brushwork, and Filippo Palizzi.
Mancini developed quickly under their guidance, and in 1872, he exhibited two paintings at the Paris Salon.


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Hortense Haudebourt-Lescot | Genre painter

Hortense Haudebourt-Lescot, born Antoinette Cécile Hortense Viel (1784-1845), was a French painter, mainly of genre and historical scenes.
She was born in Paris to Jean-Baptiste Viel, a perfumer, and his wife Cécile, née Lejeune.
Her mother became a widow two years later and remarried; to Jean-Louis Lescot, a pharmacist.


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Anna Klumpke | Catinou knitting, 1887


Encouraged by an independent, educationally oriented mother, Anna Elizabeth Klumpke (1856-1942) was a copyist in the Luxembourg Museum and studied at the Académie Julien in Paris.
She enjoyed an education guided by the concept that women artists could compete with their male counterparts.
In her memoirs of 1940, Klumpke cites a most influential moment in her childhood: receiving the gift of a Rosa Bonheur doll.
Her admiration of Bonheur, the French painter of animals, led her to paint the aging woman’s portrait - which is considered a companion piece to her portrait of leading suffragist Elizabeth Cady Stanton.

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Édouard Cortès | Paris in the Belle Époque


Édouard Leon Cortès (1882-1969), of french and spanish ancestry, was born in Lagny-sur-Marne, a few miles east of Paris.
As an adolescent, he became fascinated with the arts and at seventeen began his studies at the Ecole des Beaux-Arts in Paris.
The year 1901 marked the artist's first exhibition at the Salon des Artistes Francais.
His piece depicting a dramatic Paris street scene at dusk brought him immediate recognition and fame.

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Luigi Bazzani | Neo-Pompeian painter

Luigi Bazzani, also called Il Bazzanetto, was an Italian painter, illustrator and watercolorist.
He was born November 8, 1836, in Bologna, Italy.
Bazzani studied at Bologna's Accademia di Belle Arti then traveled to France, Germany and, eventually, Rome where he settled down in 1861 and began to specialize in genre and landscape subjects as well as set designs for theaters.
Many of his paintings featured the remains of the city's monuments from classical antiquity.


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Johan Ericson | Landscape painter

Johan Erik Ericson (1849-1925) was a Swedish landscape painter.
He was born to Anders Eriksson, a woodcarver, and his wife Johanna, née Petersson. His father emigrated to America when he was only four.
From 1872 to 1878, he studied at the Royal Institute of Art, where his primary teacher was Per Daniel Holm.
This was followed by studies in France from 1878 to 1884, where he came under the influence of the Impressionists and served as an assistant in the studios of Alfred Wahlberg.


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Jan Bogaerts (Dutch, 1878-1962)

Johannes Jacobus Maria (Jan) Bogaerts was an artist from Netherlands.
Born in the Dutch city of 's-Hertogenbosch, in the province of North Brabant, Bogaerts attended the Koninklijke School voor Nuttige en Beeldende Kunsten in his birth city between 1893 and 1899.
He spent four years working in the studio of the fin-de siècle artist Antoon van Welie (1866-1956) and also received tutelage from him at the Den Bosch academy from 1897 until 1899.
Under his influence, Bogaerts painted figures, portraits, landscapes, parks, gardens and castle grounds in a symbolistical manner.


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Pierre-Auguste Renoir | Jeune fille (L’Eté), 1880

Renoir’s Jeune fille (L'Eté) is a pretty pastel fantasy: a plump brunette wears a breezy white chemise and a fashionable straw hat, festooned with a thick blue ribbon.
This Impressionist goddess of summer, nestled in a flowering meadow, has adorned her hat with freshly plucked blooms.
She leans towards the viewer with a sweet, languid look, her lips gently parted.
The sensuality of her expression is underscored by the casual exposure of her bare shoulder, arms and décolleté.

Pierre-Auguste Renoir | Jeune fille (L’Eté), 1880 | Christie's

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Antonio Zoppi | Grandpa plays the accordion for Grandma

Antonio Zoppi (1860-1926) was an Italian painter, mostly of genre and costume scenes, as well as landscapes.
He was born and resident in Novara. In 1881 at Milan he exhibited: Paggio del secolo XVI.
In 1881 at Rome he exhibited: Fate la carità e In vino laetitia.
To other exhibitions he sent: Winter Sun; Dolci ricordi; Il nonno; Adele; Study of a head; A landscaper of Tobacco; and Savoy and Winter Morning.

Antonio Zoppi | Grandpa plays the accordion for Grandma / Il Nonno suona la fisarmonica per la Nonna | Simpson Galleries, Houston, Texas

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Sir John Everett Millais | Ophelia, 1851-1852

The scene depicted is from Shakespeare's Hamlet, Act IV, Scene VII, in which Ophelia, driven out of her mind when her father is murdered by her lover Hamlet, falls into a stream and drowns:

There, on the pendent boughs her coronet weeds
Clambering to hang, an envious sliver broke;
When down her weedy trophies and herself
Fell in the weeping brook. Her clothes spread wide,
And, mermaid-like, awhile they bore her up;

Sir John Everett Millais | Ophelia, 1851-1852 | Tate Britain, London

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Paul-Louis Delance | Allegorical / History painter

Paul-Louis Delance (1848-1924) was a French painter and educator.
He is known for his allegorical and genre scene paintings early in his career, and his religious, and landscape paintings later in his career.
Paul-Louis Gustave Delance was born on March 14, 1848, in Paris, France.
His grandfather was Comte Joseph van Roosebeck from Belgium.


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Van Gogh's starry skies

"At present I absolutely want to paint a starry sky.
It often seems to me that night is still more richly coloured than the day; having hues of the most intense violets, blues and greens.
If only you pay attention to it you will see that certain stars are lemon-yellow, others pink or a green, blue and forget-me-not brilliance.
And without my expatiating on this theme it is obvious that putting little white dots on the blue-black is not enough to paint a starry sky" - Vincent van Gogh, Letter to Wilhelmina van Gogh, the sister, written 9 and 16 September 1888 in Arles.

Vincent van Gogh | Starry Night Over the Rhône, 1888 | Musée d'Orsay, Paris

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Jean-André Rixens | Orientalist painter

Jean-André Rixens (1846-1925) was a French painter, known for his classical scenes and portraits.
He was born in Saint-Gaudens. His father was a master shoemaker.
After completing his basic education, he was enrolled in 1860 at the École supérieure des beaux-arts de Toulouse.
He paid for his tuition there and supported himself by painting commercial signs and making copies of artworks.


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Paul Emil Jacobs | Orientalist painter

Paul Emil Jacobs (1802-1866) was a German painter, noted for Orientalist themes, portraits and figures.
Jacobs, son of the philologist Frederick Jacobs, received his art training at the Munich Academy of Fine Arts and first became known for his painting of Mercury and Argus (from Classical mythology).
In 1824 he went to Rome, where he attracted critical attention by painting "The Raising of Lazarus".
In 1836 he made a series of historical paintings at the Welfenschloss in Hannover.


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Jehan-Georges Vibert | Academic painter

Jehan Georges Vibert or Jean Georges Vibert (1840-1902) was a French academic painter.
He was born in Paris, the son of engraver and publisher Théodore Vibert, and grandson of the influential rose-breeder Jean-Pierre Vibert.
He began his artistic training at a young age under the instruction of his maternal grandfather, engraver Jean-Pierre-Marie Jazet.
Vibert was more interested in painting than engraving and entered the studio of Félix-Joseph Barrias and eventually the École des Beaux-Arts when he was sixteen.


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Louis Béroud (1852-1930)

Louis Béroud (1852-1930) was a French painter, a student of Léon Bonnat, renowned for his detailed and realistic works, often depicting interior scenes of famous museums, including the Louvre.
Some of his paintings are visible at the Musée Carnavalet and The Louvre in Paris.
He was awarded the medal of honour at the Salon in 1882 and won the bronze medal at the Universal.


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Wilhelm Leibl | Genre painter

Wilhelm Maria Hubertus Leibl (1844-1900) was a German realist painter of portraits and scenes of peasant life.
Leibl was born in Cologne, where his father was the director of the Cathedral choir.
He was apprenticed to a locksmith before beginning his artistic training with the local painter Hermann Becker in 1861.
He entered the Munich Academy in 1864, subsequently studying with several artists including Carl Theodor von Piloty.